This piece was written by my best friend in college, Doug Barry. Doug, Jack Helbig and I had a weekly radio comedy show then, and this is one of the scripts from it. Doug didn't write many scripts, but when he did, it was always a mind-snapper. Doug dropped out in his junior year, and the last we heard, was missing at sea on a fishing vessel. So he's probably dead now...R.I.P. {ed A Long piece, not for everybody} The Argumenton, by Doug Barry ----------------------------- <Prologue> ...And Succor climbed the mighty ladder of the dawn Well lubed with thirty weight and axle grease Though sliding perilously along each rung Still cried with mouth and cloven tongue 'Prometheus, ye Gods of Olympic mein Your laundry's done, your drawers are clean Come see our new machines, you guys Twenty cents wash and thirty cents dry' And fell, a screaming sillhouette against the sky There's a Succor born every minute... ------ [Crustaceon]: Hark, O Gluetton! Leave off your raving and come with us to the grove of Dionysius. [Gluetton]: Uncouth fools! Dottards! Hecapede, and you, dolt Crustaceon! Do you not see that I am at the peak of a new creation?! An epic to rival the works of Hesiod and even Homer! 'An Ode to a Pramnian Slut', I call it. It came to me by chance the other day. Oh, the Wisdom, the Meter! "She bends to fill with wine the cup..." [Crustaceon]: "...From the brazen urn between her thighs I sup." You see, Gluetton, I know your style--you wouldn't know true inspiration if it barfed in your beer. Come with us now to Eudemon; there is a new phenomenon arrived in town; some call it a circus, some a new art fit to rival poetry or sculpture. A man named Thespus and his travelling company...wearing masks, they perform the rites of Dionysius and other works which I have heard called purely inspired. They say that Solon will be there from Athens to render his opinion of the status of this new drama. [Gluetton]: Well, the flow of my creativity has been utterly destroyed by your rude interruption, anyway, and it does sound interesting. Do you have any wine? [Crustaceon]: Would we have asked you along if not, you sot? (FX: cork) [Gluetton]: Ah, Crustaceon, a true friend as ever! I will make this journey with you, wherever it leads. (FX: drinking) (FX: Loud music, trumpets) [Pederastes]: Hail, Crustaceon! Welcome! I see you finally convinced Gluetton to give up his drunken rhyming, and rejoin the world of the senses. But who is this young morsel at your side? Could it be fair Hecapede? Crustaceon, you old bivalve, you. You've been robbing the cradle again. The last time I saw young Hecapede, he was still in swaddling clothes. [Crusatceon]: Aye, but you pinched him even then, as I recall, Pederastes! Now take us in to the festivities and introduce us to your guests. We have travelled far to see the reknowned Thespus. [Pederastes]: Ah, so you have come to witness this new form they call the drama? Then you are in luck. Thespus arrived this morning with his entire company. Even now they are preparing a performance of this thing that they do. Come and meet Solon the wise, here from Athens with creaky knees, to judge the drama's merit as art. Ho, Solon--new travellers arrived to see the show! Come meet Crustaceon, prime roustabout of Farta, his friend Gluetton, composer of Ribald verse and lascivious epic, and their delectable companion Hecapede. [Solon]: You, Gluetton, I know already far too well. You make a mockery of the art you profess to create. Since your "Elegy with the aid of a ten-inch salami" made the rounds of the outer provinces, it is assumed by the crass and vulgar among the populace that all poets have such low wit, such vulgar sensabilities. Now when I don my propeller beanie and rush out into the marketplace to deliver my latest work, a song in praise of good government with high dividends, or some such temperate theme, I am greeted with hoots of mirth and glee as the drunkards and sotheads cry out their preference for some ribald lyrics or obscene metaphor. It has discouraged me to such a degree that I am considering abandoning my pen altogether and taking up some other aspect of public life. I understand there's an archonship available... [Crustaceon]: Just and honorable Solon, I seek not to interrupt your digression, but my friends and I have travelled far, not only to witness the spectacle of Thespus' travelling show, but also to hear your considered judgement upon the proceedings. Surely you must have heard something of it from other travellers, and have come to some preliminary opinion. [Solon]: Folly, good Crustaceon, naught but folly. I prefer to reserve my judgement until I have seen the spectacle performed, but if the truth be known, I fear it bodes ill for the whole of Greek society. This portrayal of characters not one's own strikes me as the ultimate in dishonesty. To quote the reverend Buttarch, "If we praise and honor this sport under these circumstances, it will not be long before we discover it in our soup." My consultation of the oracle on this matter was most cryptic. When asked "Is Thespus' tragedy a form of art?", the priestess replied, "No tickee, no washee", leaving me to ponder long, yea very long... (FX: Trumpets) [Pederastes]: Hark, Solon, I hear the trumpets! The performance is about to begin! (FX: Trumpets) [Thespus]: The Argumenton, by Escalator I pray the gods deliverance from these toils My hands are shot, the water boils Over these atriedan clothes I slave I swear, 'twill drive me to my grave And these dull dolts who swarm about and in my ears do moan and shout give me a gun, I'd shoot them all and make a noise like Weedipus' fall Oh, soap and suds all day my fate and god knows what for lunch I ate that makes my stomach rock and churn like a godforsaken Attic urn [Chorus]: Lo the tenth year falls apace 'Ere we first looked upon your face So pock marked, blemished lacking grace Could you have fallen from outer space? But hark, get back to work, you jerk A form approaches, or does it lurk? (FX: Store doorbell) 'Tis Hymenlestra, virgin whore and mother of a brood of four [Hymenlestra]: Hi, kids! [Chorus]: Hi, Hymen, what's the score? We've stuff to clean the clothes you wore We've lemon fresh and bleach delight Just what you need to get white [Chorus member one]: I'll make the change... [Chorus member two]: I'll fetch the tub... [Chorus (all)]: And Priapus here'll scrub, scrub, scrub! Now show us the dainties that you've got and we'll just throw them in this pot [Hymenlestra]: Oh dear, let's see, I've nothing much just some old towels and socks and such some whips and chains and leather boots from Cleon, I think that nasty old coot Oh yes, and here's a pair of pants size forty seven, now who's are those? I never know where I get all these clothes... [Chorus]: Don't fret, my dear, just let 'em fall Old Priapus here'll wash 'em all Go out now carefully down this hall and noon tomorrow, give a call by then he's sure to have it done Uh-oh, here come's another one (FX: store doorbell) It's Escalator, now we're sunk let's shoot the poet who wrote this junk [Escalator]: Come doubletalk, come murk and mire come Ninevah and daughter Tyre First Argos and her quick dry clean My collars lost, but here I've seen by Priapus my buttons tossed without a voice to say "What cost?" Into a vat, a brazen urn From which I see there's no return What sinister pattern can there be to this blatant effrontery? [Priapus]: (stage whisper) This boisterous general little knows the method that our madness shows [Chorus member one]: And what a tangled web we weave [Chorus member two]: When we go fishing with a sieve [Chorus (all)]: Allow us this our little joke us washermen some fun must poke A pause that refreshes A Hitchcock that Snells A time out to listen to 'Tubular Bells' So look now and see how upon our command Escalator's four buttons hath Hymen in hand [Escalator]: Fair Hymenlestra, can this be? My buttons in thy hand I see and there beneath, my collars, too Tell me, what's all this stuff mean to you? [Hymenlestra]: These things I've collected upon the advice of the Chorus here, who I deem to be wise Though diamonds in Athens are not to be found In baubles and trinkets doth this place abound From Cleon the rich have I gold watch and chain and Priapus' company whene'er it rains from Hippocrates, potions that ease all my pains Bold Gluetton's good fun, I cannot complain All the silver and gold that I've got from the rich lies safe in my boudoir, and I'll never snitch There's only one man for whom my joy turns to pall and that's Solon of Athens, whene'er he calls with his mouth ever flapping about protocol his hands much too big and the rest much too... [Solon]: LIARS! BLOODY LIARS!! I'll teach you to slander my name! I'll give you hexamater! I'll give you pentameter!! (FX: Whacking sounds) [Chorus]: Oioioi owowowow...
(From the "Rest" of RHF)